Sunday, May 17, 2020

Eradicating World Hunger By Amartya Sen - 1561 Words

While the number of individuals living in food insecurity worldwide has dropped significantly over the past decade, there still remains an estimated 805 million people continuing to struggle with hunger every day . The suffering and death that are occurring in these developing nations is not fated, nor inescapable. Countries rife with dissolution, unrelenting poverty, abrasive environmental factors, and lifetimes of economic uncertainty have continued to force millions of men, women, and children into impoverished refugees. Indian economist and humanitarian philosopher Amartya Sen attempts to shed light on the origins of the global hunger situation in his work Poverty and Famines, asserting that famines are caused not by the conventional belief of food shortages, but by how a community’s food is distributed. While crop scarcity, diminished imports, and times of drought are often contributing factors, it is the social systems of the community itself that should be given greater attention. Today, Sen’s work still remains relevant, as humanitarian activists in organizations that focus on eradicating world hunger must heed his advice on better redistribution tactics should they wish to prove successful in their cause. While Sen’s understanding of the famine crisis pertains to a number of communities currently living in starvation, his call for developed redistribution systems fails to apply in communist authoritarian regimes such as the Democratic People’s Republic of KoreaShow MoreRelatedReaction Paper : The End Of Poverty3923 Words   |  16 PagesEscobar, Guillermo Professor Stuart Williams Social Problems 31 October 2014 Reaction Paper: The End of Poverty The most pressing problem in today’s world that bleeds into other social problems and helps perpetuate them is poverty. When Americans and other Westerners think of poverty it is easy for many to send money to a charity of their choice with knowledge and comfort that they contributed to help better the lives of the poor. Then again it is not difficult either to dismiss the plight of the

Wednesday, May 6, 2020

Age Ain’t Nothing But a Number Essay - 2911 Words

Age Ain’t Nothing But a Number During the last thirty years, there has been an increase in violent crimes committed by minors. In many of these cases, the minors are faced with harsher charges than what the law declares, such as being charged as adults. The majority of the United States justifies the age 18 as when an individual is no longer considered a minor. Yet, in the past ten years, the United States has seen the age of individuals being charged as adults drop. For example, in 1993, Nathan Dunlap a seventeen year-old from my hometown Aurora, Colorado was sentenced to the death penalty and eight years later, twelve year-old Lionel Tate of Fort Lauderdale, Florida was charged with life in prison. Currently the United States†¦show more content†¦However, during the 1960’s and 1970’s, the Supreme Court changed the laws concerning juvenile criminals. The Supreme Court ruled that all courts must change their main interest from helping the juvenile offenders to protecting the accusers. This ruling caused â€Å"juvenile courts [to] look and function more and more like adult courts† (Hansen n.p.). Since the landmark cases of Kent vs. The United States, In re Gault, and re Winship, U.S. courts have sentenced juveniles to harsher punishments and rulings, and sent more juvenile offenders to criminal courts (Cothern 3). In the November 2000 report from the United States Department of Justice, Office of Juvenile Justice and Delinquency Prevention, an astonishing 6,881 juveniles received the sentence of the death penalty from 1973-2000 (Cothern 5). But it was in the late 1980’s to 2000’s that lawmakers distinctly changed state bills regarding juvenile offenders due to the crime wave of the 1980’s, John DiIulio’s 1995 theory of superpredators, and the school shootings of the late 1990’s. During the late 1980’s, increased cocaine usage, unemployment rates, and gang memberships caused the dramatic rise of crimes committed by juveniles. With this staggering increase of violence in mind, â€Å"John DiIulio, a politics and public affairs professor at Princeton University, predicted that tens of thousands ofShow MoreRelatedEssay on Aaliyah - Original Writing1652 Words   |  7 Pageswith her parents and older brother, she was moved to Detroit where they could be closer to family. Her devoted mother gave up her teaching job to care for Rashad and Aaliyah full time. Aaliyah was introduced to music at a very young age; her mother would play Stevie Wonder, Marvin Gaye and other such legends while she worked around the house. It wasnt long before Aaliyah was joining in, having learnt all the words off by heart. She was just six years old when her talentRead MoreThe Ideal Desert Island Song883 Words   |  3 Pagessituation to another situation. Whatever be the criteria I believe that the â€Å"ain’t no reason† by Brett Dennen is the one song that can be termed as the ideal desert song. 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Flannery O’Connor conveyed Mrs. Hopewell as a very positive and optimistic individual. According to the text it states â€Å"Nothing is perfect. This was one of Mrs.Hopewell’s favorite saying. Another was: this is life! And still another, the most important was: well, other people have their opinions too.† Although she often had these particular sayings, she exemplified a pessimisticRead MoreTheme Of Racism In To Kill A Mockingbird1450 Words   |  6 Pagescontribution to the overall racism: â€Å"He had announced in the schoolyard the day before that Scout Finch’s daddy defended niggersâ€Å" (Lee 99). Lee introduces the 10 year old boy, Cecil Jacobs who illustrates the effects of a racist society. Even at such a young age, one knows right from wrong and contains no thought of one’s skin color. But the idea of degrading another individual, being so deeply hammered into their minds was not considered wrong. 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Tuesday, May 5, 2020

Othello by William Shakespeare Essay Example For Students

Othello by William Shakespeare Essay The play Othello by William Shakespeare is based on an Italian story in Giraldi Cinthio’s Hecatommithi (Grolier). In Othello we encounter Iago, one of Shakespeare s most evil characters. Iago is an officer in Othello’s army and is jealous of Cassio’s promotion to Lieutenant. Through deception and appearance, we see unfolded many lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago’s plan as motive-hunting of a motiveless malignity (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a major role as a motive for his various schemes and lies. Throughout the story, Iago portrays himself as a Satan figure. In many ways, Iago can compare with Satan. Iago, like Satan, has proved himself to be a master of deception. He lies to everyone taking great care to disguise his own thoughts. For example, in Act 1 scene 2, when he is speaking to Othello about his feelings toward Cassio, he uses very strong language, while at the same time, he lies throughout the whole speech faking loyalty to a fellow soldier and all the while implying that he is reluctantly holding back the full truth: I had rather have this tongue cut from my mouth. Than it should do offense to Michael Cassio (I. ii. 21-22). This deception impresses and convinces Othello that his officer is a good and loyal soldier. Iago also succeeds in deceiving Cassio. After Cassio’s drunken fight, Iago counsels him to speak to Desdemona about trying to convince Othello to reinstate him as lieutenant, all the while knowing that this will only prove helpful to his plan of having Othello see him with Desdemona. Cassio answers him: You advise me well Goodnight, honest Iago (II. iii. 332/340). Thus, even Cassio is capable of being deceived by Iago. With all of this deception, it is a wonder that Iago is not Satan himself. He even gives an account to his plan of deception, in a soliloquy, in Act II. In comparing himself with Satan, he says: When devils will the blackest sins put on. They do suggest at first with heavenly shows. As I do now: for whiles this honest fool. Plies Desdemona to repair his fortunes. And she for him pleads strongly to the Moor, I’ll pour this pestilence into his ear (II. iii. 301-306) Iago describes how Satan uses the appearance of something good to disguise the various temptations that we know are evil. He tells how he will do the same while Cassio is begging Desdemona to tell Othello to take him back, Iago then will start his destructive scheme. Satan also deceives by lying and twisting the truth. When he told Eve in the Garden of Eden surely you will not die (Gen. 3: 4), he twisted the truth to deceive her. The Apostle John calls him the father of liars: for he is a liar, and the father of lies (John 8:44). As you can see, Iago and Satan both use deception to further benefit themselves. Through deception, Iago creates the appearance of good, which is what ultimately fools the people around him into thinking that he is loyal and honest. Being an officer is an honorable rank. Historically, an officer carried the company’s banner, which he was never to desert. In battle, if the company’s banner were threatened, all the soldiers had to fight to defend it and also its bearer. So by tradition and definition, he had to be well liked, brave, and trustful. Iago already has the appearance of being a good and honest man so he has an advantage when it comes to keeping that honest look about him throughout the story. Othello, it would seem, has fallen for this appearance when he tells Iago: I am bound to thee forever (III. iii. 214). .u09a5fb9db7828df0732bd167cf4dc915 , .u09a5fb9db7828df0732bd167cf4dc915 .postImageUrl , .u09a5fb9db7828df0732bd167cf4dc915 .centered-text-area { min-height: 80px; position: relative; } .u09a5fb9db7828df0732bd167cf4dc915 , .u09a5fb9db7828df0732bd167cf4dc915:hover , .u09a5fb9db7828df0732bd167cf4dc915:visited , .u09a5fb9db7828df0732bd167cf4dc915:active { border:0!important; } .u09a5fb9db7828df0732bd167cf4dc915 .clearfix:after { content: ""; display: table; clear: both; } .u09a5fb9db7828df0732bd167cf4dc915 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u09a5fb9db7828df0732bd167cf4dc915:active , .u09a5fb9db7828df0732bd167cf4dc915:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u09a5fb9db7828df0732bd167cf4dc915 .centered-text-area { width: 100%; position: relative ; } .u09a5fb9db7828df0732bd167cf4dc915 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u09a5fb9db7828df0732bd167cf4dc915 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u09a5fb9db7828df0732bd167cf4dc915 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u09a5fb9db7828df0732bd167cf4dc915:hover .ctaButton { background-color: #34495E!important; } .u09a5fb9db7828df0732bd167cf4dc915 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u09a5fb9db7828df0732bd167cf4dc915 .u09a5fb9db7828df0732bd167cf4dc915-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u09a5fb9db7828df0732bd167cf4dc915:after { content: ""; display: block; clear: both; } READ: Characters mood, themes and action of Shakespeare's play EssayOthello relates this to Iago because he trusts him. Satan works in much the same way as Iago does. He creates something pleasant out of something totally evil by making it appear glorious. The apostle Paul makes a comparison between the appearance of men and Satan in II Corinthians: For such men are false apostles, deceitful workers, disguising themselves as apostles of Christ. And no wonder, for even Satan disguises himself as an angel of light (II Cor. 11:13-14). Iago deceitfully organizes his plan so as to appear trustworthy to everyone. Iago also uses appearances to create deception. When Cassio had finished asking Desdemona, in the garden, if she would talk to Othello for him, he left her presence. Iago and Othello were standing off in the distance observing them. When Othello asks him if it was indeed Cassio that he saw, Iago replies: Cassio, my lord! No, sure, I cannot think it, That he would steal away so guilty-like, Seeing you coming (III. iii. 37-39). He uses that scene to convince Othello that Cassio looked mighty guilty when he left Desdemona. This shows that not only can deception be used to create appearance, but that appearance can also be used to create deception. Othello proves this fact further, later on in the play, when he, himself, asks for appearance as proof of Desdemona’s fraudulent behavior, too much to the point that he threatens Iago by telling him: Villain, be sure thou prove my love a whore. Be sure of it; give me the ocular proof. Or, by the worth of mine eternal soul. Thou hadst been better have been born a dog. Than answer my wak’d wrath! (III. iii. 359-363) Othello demands to see it with his own eyes in order for it to be convincing. Iago then changes the subject and lies to Othello outright by telling him that he heard Cassio talking in his sleep. He then goes so far as to say that Cassio was making sexual implications to him while sleeping: And then, sir, would he grip and wring my hand. Cry O sweet creature! and then kiss me hard. As if he pluck’d up kisses by the roots. That grew upon my lips: then laid his leg. Over my thigh, and sigh’d, and kiss’d; and then/ Cried Cursed fate that gave thee to the Moor! (III. iii. 421-426). This undoubtedly upsets Othello, thus showing that Iago’s craftiness knows no bounds. He made Cassio appear dishonest by lying to Othello. Satan also uses appearance to create deception. We see an example of this when he tempts Eve in the garden. He uses the pleasing appearance of the fruit to deceive her. When the woman saw that the tree was good for food, that it was a delight to the eyes, and that the tree was desirable to make one wise, she took from it’s fruit and ate Then the Lord God said to the woman, What is this you have done? And the woman said, The serpent deceived me, and I ate. (Gen. 3: 6,13). The appearance of the fruit, to the eyes of Eve, deceives her into taking it and eating of it. Satan also uses the woman to tempt Adam into eating the fruit as well. Satan and Iago, both, have a unique way of twisting appearances into looking like truths. This, sometimes, makes it hard to distinguish between the two evils. Iago and Satan have been compared in many ways. He is called a viper just as Satan is called a serpent. Lodovico asks: Where is that viper? Bring the villain forth (V. ii. 285). When Satan is in the garden, he is referred to as the serpent. And the serpent said to the woman (Gen. 3:4). As we have seen, metaphorically and by example, Iago has proven to be the epitome of evil in that he uses the same tactics that Satan does to get what he wants.